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The Woman In Black

 
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Mataya
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PostPosted: Mon Feb 04, 2019 12:46 pm    Post subject: The Woman In Black Reply with quote

Cast

Arthur Kipps - Marcus Spencer
The Actor - Jakob

((Note - The Woman In Black herself goes uncredited, but is performed by Annabeth Caldwell.))
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Mataya
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PostPosted: Mon Feb 04, 2019 12:46 pm    Post subject: Reply with quote

Synopsis

Act I

The play opens in an empty Victorian theatre, where an old Arthur Kipps is reading aloud from a manuscript of his story. A young actor whom he hired to help dramatise the story, enters and criticises him for his poor delivery. After an argument, they agree to perform the story, with the Actor playing a younger Kipps, and Kipps himself playing all the other characters and narrating the play. When they run through the play, however, things begin to go terribly wrong.

Young Kipps learns of the death of the elderly and reclusive widow Mrs Drablow. He travels to Crythin Gifford to sort through her private papers. On the train, he meets a local landowner, Mr Samuel Daily, who tells him a little about Mrs Drablow. Upon their arrival at Crythin, Mr Daily drops off Arthur at the local inn where he is to stay the night.

The next morning, young Arthur meets with a local man enlisted to help him, Mr Horatio Jerome. They go to Mrs Drablow's funeral together, where Arthur first sees the Woman in Black. At first feeling sorry for the young woman, who was apparently suffering from some dreadful wasting disease, he asks Mr Jerome who she is. Mr Jerome is visibly terrified and hurries Arthur away from the church, insisting that there was no woman.

After their return to the inn, Mr Jerome recovers somewhat, and says that a local man will arrive presently to escort Arthur to Mrs Drablow's house.

The local man, a villager named Keckwick, arrives a few moments later. To Arthur's delight, Keckwick drives Arthur in an old-fashioned pony and trap out to the house. Arthur spends the day sorting through Mrs Drablow's papers, and is amazed to find out how many there are. He also finds an old cemetery outside the house, where he again encounters the Woman in Black. Later that day, a thick fog settles on the marsh, cutting Arthur off from the mainland. He tries to return across the causeway on foot in the fog, but quickly becomes lost and is forced to retrace his steps to Eel Marsh House. Before he gets there, he hears the sound of a pony and trap on the causeway. Assuming that it is Keckwick returning, he turns back into the fog. It soon becomes apparent that the pony and trap are in trouble, and he hears it drive off the causeway onto the marsh. Arthur listens helplessly as the pony and trap get stuck in the mire and its occupants, including a young child, are drowned. Arthur returns to the house in a state of shock. Whilst he is exploring the house, he discovers a locked door. Due to his emotional state, he becomes distressed when he is unable to open it. He is surprised when Keckwick returns a few hours later.

Act I ends with a monologue from young Arthur in which he explains that he is sure, although he does not know how, that the sounds he heard were from neither Keckwick nor any living thing, but from things that are dead.

Act II

Arthur seeks the help of Mr Jerome, either to accompany him back to Eel Marsh House or to send him someone else to help. Mr Jerome becomes profoundly terrified, and insists that nobody in the village would willingly accompany him to the house. Arthur later meets Sam Daily and tells him of his experiences. Sam is concerned and invites Arthur to his house, where he gives Arthur his dog, Spider, as a companion. (The dog, though real within the plot, is imaginary and is not portrayed by either actor.)

Returning to Eel Marsh House, Arthur finds that the locked room is a child's nursery, abandoned but in perfect condition. Later that night, he hears a knocking sound in the nursery. He and Spider investigate. The nursery has been ransacked, and in one of the play's most iconic scenes, Arthur sees an empty rocking chair rocking back and forth as if somebody had just left it. Arthur fearfully returns to his bedroom.

The next day Arthur finds correspondence from almost sixty years ago, between Mrs Drablow and a mysterious woman who is apparently her sister. The woman, Jennet Humfrye, unmarried and with child, was sent away by her family. A son was born to her in Scotland, and her family immediately pressured her to give him up for adoption. Despite her strong resistance, Jennet ultimately relented and gave the child to Mrs Drablow and her husband.

Unable to bear being parted from her son, Jennet returned to Crythin Gifford after a time and stayed with her sister. She was allowed to see her son provided that she never reveal her true relationship to him. The child became attached to Jennet. She planned to run away with him, but before she could manage it, a tragic event occurred.

The child, his nursemaid, and his dog went out onto the marsh one day in a pony and trap driven by Keckwick's father. A fog suddenly descended upon the marsh and they became lost. Riding blindly, they became stuck in the quicksand, and all were drowned. Jennet, driven mad by grief, contracted a terrible wasting disease and died several years later. Immediately after her death, she returned as the Woman in Black.

Arthur suddenly becomes subject to a series of terrifying events in Eel Marsh House, and eventually collapses on the marsh when trying to rescue Spider. He is found and taken back to Crythin by Sam Daily, who assures him that Spider is all right. He tells Arthur the story of the Woman, and explains that many of the local people he has met (Jerome, Keckwick and Daily himself) have all lost a child after seeing her.

Kipps returns to London and marries his fiancée, Stella. At a country fair, Stella and their infant son Joseph go for a ride on a pony and trap. Arthur sees the Woman in Black. Joseph is thrown out of the trap,and hits a tree, killing him instantly. Stella then dies 10 months later due to injuries.

Having come to the end of their rehearsal, Kipps and the Actor sit down to rest. Kipps wonders if performing the play for his family will exorcise the Woman in Black.

A twist is added at the end of the play; the Actor asks Kipps about the actress playing the Woman in Black. Mirroring the earlier scene with Mr Jerome, Kipps, terrified, denies that anyone else had been in the theatre, implying that the real Woman in Black had been present. The play ends with the rhythmic knocking of the rocking chair as the lights fade to black. An image of the face of the Woman in Black lingers behind the gauze for a few seconds.

((Look, I very nearly did it on time for once! Here's where you can add your experiences, my lovelies - respect the setting and have fun!))
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Life's like a play; it's not the length but the excellence of the acting that matters.
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Rhiannon Brock
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PostPosted: Sat Feb 09, 2019 5:07 pm    Post subject: Reply with quote

Every once in a while, Rhi had a day or night out with her sisters. Sometimes, their mother came along. Luncheon followed by a matinee performance was just about perfect as it allowed the mothers among them to be at home for family dinner time and bedtime duties. It gave them time to catch up on all the little details of each other's lives. While some of their children were old enough and savvy enough to grasp the story of 'A Woman in Black' this was their time.

As they were going to the theater, Rhi said, "I enjoy suspense and mystery. This should be a great experience." Along with others, they talked among themselves until the lights dimmed to signal the show was beginning.
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Marcus Spencer
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PostPosted: Fri Feb 15, 2019 9:32 pm    Post subject: Reply with quote

The role of Arthur Kipps in The Woman in Black was perhaps Marcus' most challenging role yet - not because it was a difficult one, but because there were so few parts. It was up to him and Jakob and Annabeth to bring the play and the characters to life. If any one of the three of them screwed up, it could spell disaster for the entire show.

Though Jakob was new to the Shanachie, he and Marcus had quickly developed a rapport through hard work and cooperation. Marcus would even go so far as to say they were friends - at least, he hoped so. It was a lot easier to work with a friend than it was to work with a rival, especially during plays like these when its success rested mostly on their shoulders.

It was during plays like these that Marcus really had to trust the director, as well as his fellow cast and crew members. It was during plays like these that he was truly able to hone his craft and develop as an actor; and it was during plays like these that he was really given the chance to shine, as were his fellow cast members.

At the end of the show, it was the applause of the audience which told them whether they had succeeded or not - at least, until the curtain went down, and they started all over again.
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Annabeth Caldwell
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PostPosted: Tue Mar 12, 2019 4:31 pm    Post subject: Reply with quote

Annabeth truly relished the role of The Woman In Black. It might not seem a great challenge to stand or move silently across the stage at first. However, she did need to convey a figure which is tragic, ominous, and menacing in turns. To do that with few words, and not over-acting kept her on her toes during rehearsals and the performances.

But when the curtains rose, Jacob, Marcus, and herself wove the magic The Shanachie was famous for.
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